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562 Fisgard wall. Trudi Lynn Smith and Lynda Gammon. 12 - 16x20" contact photographs.

Trudi Lynn Smith

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562 Fisgard wall. Trudi Lynn Smith and Lynda Gammon. 12 - 16x20" contact photographs.
Trudi Lynn Smith

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  • Working the Drift Camera at Urbanite. Photo by Haema Sivanesan

    A continuous slow movement

    ByTrudi Lynn Smith September 12, 2018March 4, 2023

    Drift Camera at Urbanite, AGGV September 2018. I’m looking forward to working with the Drift Camera (a continuous slow movement) at the Art Gallery of Greater Victoria on September 28 as part of Urbanite. Come…

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  • Photograph showing video stills from Anarchival Materiality

    Fugitives, Anarchival Materiality in Archives

    ByTrudi Lynn Smith September 2, 2018November 2, 2018

    Public Journal September 2018. The new issue of Public Journal has dropped! Kate Hennessy and I have an article in the latest issue Archive/Counter Archive, called Fugitives, Anarchival Materiality in Archives about our work at…

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  • Polaroid photograph showing a tree on the shore of Waterton Lakes National Park

    Life and Death in Waterton Lakes National Park

    ByTrudi Lynn Smith August 2, 2018March 4, 2023

    Chinese Photography August 2018. My work, Life and Death in Waterton Lakes National Park was featured in the August 2018 edition of the journal, Chinese Photography. In the article, Zhong Hualian writes about connections between…

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  • Fugitives in the Archive exhibition by Trudi Lynn Smith and Kate Hennessy. Photograph by Rachel Topham

    What’s Insight Magazine

    ByTrudi Lynn Smith July 1, 2018March 4, 2023

    What’s Insight Magazine July 2018. Check out the write up Kate Hennessy and I put together on our research-creation work at the Royal British Columbia Museum Fugitives: Anarchival Materiality in Archives

    Read More What’s Insight MagazineContinue

  • Trudi Lynn Smith at Chicago Field Museum archives. Photo by Kate Hennessy

    Fugitives

    ByTrudi Lynn Smith July 1, 2018March 4, 2023

    Geist Magazine July 2018. Kate Hennessy and I were invited to create a photo-essay of our work with anarchival materiality  for the spring 2018 edition of Geist Magazine. Fugitives explores the shape and smell of…

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  • Supernatural: Art, Technology and the Forest

    Supernatural: Art, Technology and the Forest

    ByTrudi Lynn Smith May 2, 2018March 4, 2023

    Supernatural: Art, Technology and the Forest May to September 2018. Excited to be invited to show A Continuous Slow Movement (Drift Camera) at the Art Gallery of Greater Victoria! On view: May to September 2018…

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  • Swimming in Lake Linnet, Waterton Lakes National Park 2013

    Linnet Lake

    ByTrudi Lynn Smith September 26, 2017September 23, 2018

    Watch the video footage here   The impermanent return: Photography, protected areas and the matter of Linnet Lake. This is a film still from Lake Linnet, in Waterton Lakes National Park. The film still shows…

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  • Breath Camera at UMaryland Seminar in Digital Cultures and Creativity: students surrounding wearing Breath Camera.

    Digital Cultures

    ByTrudi Lynn Smith September 14, 2017August 14, 2023

    Fall 2017. Invited scholar, Digital Cultures and Creativity, University of Maryland. Workshop on respiration and photography with the Breath Camera. Students are part of the Seminar Fleshy Futures: Technologies and the Body.

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  • showing Imagine our Parks website, a collaborative project between Krista Cabellero and Trudi Lynn Smith

    Imagine Our Parks Press Release

    ByTrudi Lynn Smith June 11, 2016March 4, 2023

    I have been working on a collaborative project with Krista Caballero alongside invited artists Rebecca Clark, Hali Felt, Katie Hargrave, Sharon Mansur, Emily Nilsen, Ebony Rose. This week, we launch our traveling experimental installation along…

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  • Pup tent camera obscuras

    Pup tent camera obscuras

    ByTrudi Lynn Smith June 3, 2016August 14, 2023

    Pup tent camera obscuras. Two pup tents with knapsacks for solo trips: recovered vintage materials, darkout fabric, a set of simple lenses for close up and distant views. Tent footprint each 1.5 m x 2.1 m. Created for Imagine Our Parks, installations with selected participants in summer 2016.

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  • Becoming anarchival
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  • social practice and somatic photography

I acknowledge with respect that I live on the territories of the lək̓ʷəŋən peoples and the Songhees, Esquimalt and W̱SÁNEĆ peoples whose historical relationships with the land continue to this day. I am an uninvited settler on these territories.

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