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562 Fisgard wall. Trudi Lynn Smith and Lynda Gammon. 12 - 16x20" contact photographs.

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562 Fisgard wall. Trudi Lynn Smith and Lynda Gammon. 12 - 16x20" contact photographs.
Trudi Lynn Smith

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A pink rectangular poster for the exhibition Becoming Anarchival at Gallery 881 by Kate Hennessy and Trudi Lynn Smith showing in the center an image of a fossil anthotype.

Becoming anarchival

ByTrudi Lynn Smith October 10, 2024October 10, 2024

Becoming Anarchival This fall, Kate Hennessy and I are presenting our collaborative work at 881 Gallery in Vancouver. The work emerges from fieldwork around a defunded paleontology research centre in Tumbler Ridge, British Columbia. We…

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An anthotype made with amaraynth emulsion poured on cream paper.

Photodynamic Gardening Workshop

ByTrudi Lynn Smith March 26, 2023August 14, 2023

I’ve been invited to present a Photodynamic Gardening Workshop in June in the Hudson Valley, New York, at Bard College Farm and Studio Kipp in Rhinebeck. This two-day workshop will experiment with building community gardens…

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A photograph of a recipe for gorse color -- 1 cup blossoms, 2 cups water (boiling) and a tsp of alum, leave overnight

Colour practice: Gorse

ByTrudi Lynn Smith May 27, 2022March 27, 2023

Gorse (Ulex europaeus) is a spiny evergreen shrub. It is considered a threat to forest ecosystems where I live, and arrived as part of the colonial project. Like its lookalike, broom (Cytisus scoparius), it was…

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camellia

camellia

ByTrudi Lynn Smith April 5, 2021April 8, 2021

camellia pour with full moon extracted stinging nettle and 2020 sunflower on arches hot pressed paper 2021

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Mapping Meaning Journal Issue 3

Mapping Meaning Journal Issue 3

ByTrudi Lynn Smith December 16, 2019August 14, 2023

The new issue of Mapping Meaning Journal has dropped! I’m delighted to have guest co-edited the volume with Nat Castañeda and Karina Aguilera Skvirsky. We first met as part of the Mapping Meaning initiative and…

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At the Terminus: Ethnographic Terminalia 2019

At the Terminus: Ethnographic Terminalia 2019

ByTrudi Lynn Smith November 4, 2019November 4, 2019

This year’s constellation of events will take place between November 19-24, alongside the 2019 American Anthropology Meetings at The Hangar at the Centre for Digital Media, at the heart of East Vancouver’s growing arts district….

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Photograph showing the installation of the drift camera at the Art Gallery of Greater Victoria by Trudi Lynn Smith

Cultivating the Arts of Attention

ByTrudi Lynn Smith February 17, 2019February 17, 2019

I’ve been invited to the Bard Center for Experimental Humanities to install my work March 7-18, 2019. I’ll be installing my Drift Camera, video of the breath camera and hosting a workshop on cultivating the…

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Title slide from our session, Bad Habitus

Bad Habitus: Anthropology in the Age of the Multimodal

ByTrudi Lynn Smith November 15, 2018November 4, 2019

On the occasion of this year’s meeting of the American Anthropological Association in San Jose, the heart of Silicon Valley, we’ve organized a round table called Bad Habitus: Multimodal Anthropology in the Age of the…

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Photograph showing the installation of the exhibition Fugitives in the Archive, at the Royal BC Museum

Royal BC Museum

ByTrudi Lynn Smith November 2, 2018February 17, 2019

Fugitives in the Archive opens today and runs until January 2019. (Trudi Lynn Smith and Kate Hennessy) The exhibition is based on our research-creation work in the BC Archives. We interviewed archivists and conservators about…

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Risograph image remediating Lucia Moholy self-portrait. Trudi Lynn Smith and Kate Hennessy

Anarchival Materiality: The Bauhaus Building in Dessau

ByTrudi Lynn Smith September 24, 2018September 5, 2024

Anarchival Materiality: The Bauhaus Building in Dessau Trudi Lynn Smith, Kate Hennessy, and Oliver Neumann Abstract In this essay we present a series of images remediating photographs related to the Bauhaus building in Dessau, and…

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  • Becoming anarchival
  • Open air photography
  • Infinite emulsion
  • Photodynamic gardening project
  • social practice and somatic photography

I acknowledge with respect that I live on the territories of the lək̓ʷəŋən peoples and the Songhees, Esquimalt and W̱SÁNEĆ peoples whose historical relationships with the land continue to this day. I am an uninvited settler on these territories.

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