Infinite emulsion
Vegetal colour, cabbage, rose, nettle, sopped up, mopped up, dried on paper. A solar printed intuitive contact print with diverted compost and other waste.

Vegetal colour, cabbage, rose, nettle, sopped up, mopped up, dried on paper. A solar printed intuitive contact print with diverted compost and other waste.
Using the central skylight in a gallery as a starting point, Jamie Drouin and I direct frequencies into the Open Space Arts Society space using simple lenses, mirrors and antennae. (2011-2013).
The Breath Camera is a wearable camera form about impermanence: camera bellows, viewing screen, and a 3 x 9 foot darkcloth mix the fleshy with the fleeting.
This work resulted in a two-volume set of books published by flask, and a paper presentation at the International Visual Sociology Association in summer 2009.
Portable Camera Obscura is an immersive technology. It is a walk-in, room-sized camera – a tent that breaks into multiple pieces to refigure relations between people, images and materials.
A digital composite print of International Boundary Survey 1874 (GM Dawson) “From the North Shore” and 2009 butterfly migration, with an academic reprint of the Anthropologica paper, ‘Life and Death in Waterton Lakes National Park’. Limited edition artist book 9×12″.
Kate Hennessy and my exhibition Fugitives in the Archive at the Royal British Columbia Museum’s Pocket Gallery and Lightbox Gallery opened on Nov. 2 2018 and ran until January 1, 2019.