Infinite emulsion
Vegetal colour, cabbage, rose, nettle, sopped up, mopped up, dried on paper. A solar printed intuitive contact print with diverted compost and other waste.
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Anarchival materiality
Anarchival materiality within archives is an ongoing research-creation project that documents the generative force of entropy in archives. The force of molecular transformation, violence, displacement, and other human and non-human agencies render archival materials as fugitives, both eluding and driving preservation.
Ethnographic Terminalia
The Ethnographic Terminalia curatorial collective explores the boundaries of anthropology and art through exhibitions, experimental installations, events and publications. Working since 2009, we’ve shown more than 150 artists in locations across North America.
Digital Cultures
Fall 2017. Invited scholar, Digital Cultures and Creativity, University of Maryland. Workshop on respiration and photography with the Breath Camera. Students are part of the Seminar Fleshy Futures: Technologies and the Body.
Fugitives in the Archive
Kate Hennessy and my exhibition Fugitives in the Archive at the Royal British Columbia Museum’s Pocket Gallery and Lightbox Gallery opened on Nov. 2 2018 and ran until January 1, 2019.
Studies for Making and Unmaking
A 15 minute film loop that brings together digital and analogue archives into projections and performances. Making and unmaking encounters, curved by gusting winds, the squeak of technological breakdown, and the distortion of projections on paper.
Finding Aid
An ongoing performed archive and exhibitions (2009-) documenting the productive failure of re-enactments of photographs in mountain environments of Canadian National Parks.
