Infinite emulsion
Vegetal colour, cabbage, rose, nettle, sopped up, mopped up, dried on paper. A solar printed intuitive contact print with diverted compost and other waste.

Vegetal colour, cabbage, rose, nettle, sopped up, mopped up, dried on paper. A solar printed intuitive contact print with diverted compost and other waste.
Through the process of erasure, dispossession and construction that industrial forestry relies upon, forests are created as trees, logs and timber, harvested, moved into water, and transported to sort yards for processing.
A modified swing-lens Kodak Panoram broken and rebuilt to reconsider the interface between time and space in photographic embodiments.
Portable Camera Obscura is an immersive technology. It is a walk-in, room-sized camera – a tent that breaks into multiple pieces to refigure relations between people, images and materials.
Becoming Anarchival This fall, Kate Hennessy and I are presenting our collaborative work at 881 Gallery in Vancouver. The work emerges from fieldwork around a defunded paleontology research centre in Tumbler Ridge, British Columbia. We…
An ongoing performed archive and exhibitions (2009-) documenting the productive failure of re-enactments of photographs in mountain environments of Canadian National Parks.
A 15 minute film loop that brings together digital and analogue archives into projections and performances. Making and unmaking encounters, curved by gusting winds, the squeak of technological breakdown, and the distortion of projections on paper.