Infinite emulsion
Vegetal colour, cabbage, rose, nettle, sopped up, mopped up, dried on paper. A solar printed intuitive contact print with diverted compost and other waste.
Vegetal colour, cabbage, rose, nettle, sopped up, mopped up, dried on paper. A solar printed intuitive contact print with diverted compost and other waste.
Using the central skylight in a gallery as a starting point, Jamie Drouin and I direct frequencies into the Open Space Arts Society space using simple lenses, mirrors and antennae. (2011-2013).
Anarchival materiality within archives is an ongoing research-creation project that documents the generative force of entropy in archives. The force of molecular transformation, violence, displacement, and other human and non-human agencies render archival materials as fugitives, both eluding and driving preservation.
My visual research into contested territories of parks and protected areas in North America explores the affective force of photography. I work with scientists, tourists, artists and locals to explore and connect ecological and social…
A modified swing-lens Kodak Panoram broken and rebuilt to reconsider the interface between time and space in photographic embodiments.
An ongoing performed archive and exhibitions (2009-) documenting the productive failure of re-enactments of photographs in mountain environments of Canadian National Parks.
Portable Camera Obscura is an immersive technology. It is a walk-in, room-sized camera – a tent that breaks into multiple pieces to refigure relations between people, images and materials.