Infinite emulsion
Vegetal colour, cabbage, rose, nettle, sopped up, mopped up, dried on paper. A solar printed intuitive contact print with diverted compost and other waste.
Vegetal colour, cabbage, rose, nettle, sopped up, mopped up, dried on paper. A solar printed intuitive contact print with diverted compost and other waste.
A 15 minute film loop that brings together digital and analogue archives into projections and performances. Making and unmaking encounters, curved by gusting winds, the squeak of technological breakdown, and the distortion of projections on paper.
Photodynamic Gardening. Making images with plants. Experimental ethnography. Leaves of stinging nettle, mashed up rose and bee balm petals, elderberry fruit.
My visual research into contested territories of parks and protected areas in North America explores the affective force of photography. I work with scientists, tourists, artists and locals to explore and connect ecological and social…
Pup Tent Camera Obscura is a repurposed 1970s/80s McKinley A-frame tent modified to be completely dark inside and fitted with a set of simple lenses on one end. Inside the room the lens projects the world outside onto the walls of the room and onto hand-held paper.
An ongoing performed archive and exhibitions (2009-) documenting the productive failure of re-enactments of photographs in mountain environments of Canadian National Parks.
The Ethnographic Terminalia curatorial collective explores the boundaries of anthropology and art through exhibitions, experimental installations, events and publications. Working since 2009, we’ve shown more than 150 artists in locations across North America.