Infinite emulsion
Vegetal colour, cabbage, rose, nettle, sopped up, mopped up, dried on paper. A solar printed intuitive contact print with diverted compost and other waste.

Vegetal colour, cabbage, rose, nettle, sopped up, mopped up, dried on paper. A solar printed intuitive contact print with diverted compost and other waste.
It’s happening! Over the past while I’ve been working with my friend Kemi Craig, the City of Victoria Artist-in-Residence to seed a new photodynamic garden situated within a network of community gardens, at Wark Street…
Fall 2017. Invited scholar, Digital Cultures and Creativity, University of Maryland. Workshop on respiration and photography with the Breath Camera. Students are part of the Seminar Fleshy Futures: Technologies and the Body.
Pup Tent Camera Obscura is a repurposed 1970s/80s McKinley A-frame tent modified to be completely dark inside and fitted with a set of simple lenses on one end. Inside the room the lens projects the world outside onto the walls of the room and onto hand-held paper.
Portable Camera Obscura is an immersive technology. It is a walk-in, room-sized camera – a tent that breaks into multiple pieces to refigure relations between people, images and materials.
A 15 minute film loop that brings together digital and analogue archives into projections and performances. Making and unmaking encounters, curved by gusting winds, the squeak of technological breakdown, and the distortion of projections on paper.
Becoming Anarchival This fall, Kate Hennessy and I are presenting our collaborative work at 881 Gallery in Vancouver. The work emerges from fieldwork around a defunded paleontology research centre in Tumbler Ridge, British Columbia. We…