Infinite emulsion
Vegetal colour, cabbage, rose, nettle, sopped up, mopped up, dried on paper. A solar printed intuitive contact print with diverted compost and other waste.

Vegetal colour, cabbage, rose, nettle, sopped up, mopped up, dried on paper. A solar printed intuitive contact print with diverted compost and other waste.
Using the central skylight in a gallery as a starting point, Jamie Drouin and I direct frequencies into the Open Space Arts Society space using simple lenses, mirrors and antennae. (2011-2013).
My visual research into contested territories of parks and protected areas in North America explores the affective force of photography. I work with scientists, tourists, artists and locals to explore and connect ecological and social…
Portable Camera Obscura is an immersive technology. It is a walk-in, room-sized camera – a tent that breaks into multiple pieces to refigure relations between people, images and materials.
A digital composite print of International Boundary Survey 1874 (GM Dawson) “From the North Shore” and 2009 butterfly migration, with an academic reprint of the Anthropologica paper, ‘Life and Death in Waterton Lakes National Park’. Limited edition artist book 9×12″.
A modified swing-lens Kodak Panoram broken and rebuilt to reconsider the interface between time and space in photographic embodiments.
Through the process of erasure, dispossession and construction that industrial forestry relies upon, forests are created as trees, logs and timber, harvested, moved into water, and transported to sort yards for processing.