BODY FOSSILS
Mixed media – c-prints, watercolour pigment, ink, carving. memory on another memory on another I’ve been returning to a set of analogue colour photographs from the 1990s. I held onto them, moved them from place…
-
-
Photodynamic gardening project
It’s happening! Over the past while I’ve been working with my friend Kemi Craig, the City of Victoria Artist-in-Residence to seed a new photodynamic garden situated within a network of community gardens, at Wark Street…
-
social practice and somatic photography
I’ve been invited into the Brock University community to work with photodynamic gardening. In September 2023, I’ll be in St. Catharines for a hands-on workshop in plant-based photography. As part of the Walker Cultural Leader Series,…
-
Portable Camera Obscura
Portable Camera Obscura is an immersive technology. It is a walk-in, room-sized camera – a tent that breaks into multiple pieces to refigure relations between people, images and materials.
-
terminus: archives, ephemera, and electronic art
The online archive of the zine and documentation of Terminus: Archives, Ephemera and Electronic Art is now live.
-
-
Portable Camera Obscura — Great Salt Lake
Portable Camera Obscura at Robert Smithson’s Spiral Jetty at Rozell Point, on the Great Salt Lake, Utah. Installation with University of Utah Honors College Class that I was co-teaching in Fall 2013, Landscape, Place and the Visual Anthropology of Utah.
-
Imagine Our Parks
IOP is looking for nine artists to join us at different places along an artist-led expedition beginning in (present-day) Yellowstone National Park, (the first USAmerican national park) and traveling along the 42nd parallel…
-
Mapping Meaning & The Salish Sea
Next week, artist Krista Caballero and writer/scientist Sylvia Torti, from the initiative Mapping Meaning, will be joining Ryan Hilperts, from the Redfish School of Change, and myself, for a kayaking trip in the Salish Sea.
-
Portable Camera Obscura, Crane Arts, Philadelphia, PA, USA
Portable Camera Obscura at Crane Arts in Philadelphia, PA, 2009 as part of exhibition, Ethnographic Terminalia. Installation with early 20th century hand-tinted print (32x 48″) on easel, spotlights, tent, lenses, pillows inside for lounging.
