Infinite emulsion
Vegetal colour, cabbage, rose, nettle, sopped up, mopped up, dried on paper. A solar printed intuitive contact print with diverted compost and other waste.
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Digital Cultures
Fall 2017. Invited scholar, Digital Cultures and Creativity, University of Maryland. Workshop on respiration and photography with the Breath Camera. Students are part of the Seminar Fleshy Futures: Technologies and the Body.
Photodynamic gardening
Photodynamic Gardening. Making images with plants. Experimental ethnography. Leaves of stinging nettle, mashed up rose and bee balm petals, elderberry fruit.
Conduit: Open Space
Using the central skylight in a gallery as a starting point, Jamie Drouin and I direct frequencies into the Open Space Arts Society space using simple lenses, mirrors and antennae. (2011-2013).
Fugitives in the Archive
Kate Hennessy and my exhibition Fugitives in the Archive at the Royal British Columbia Museum’s Pocket Gallery and Lightbox Gallery opened on Nov. 2 2018 and ran until January 1, 2019.
Pup Tent Camera Obscura
Pup Tent Camera Obscura is a repurposed 1970s/80s McKinley A-frame tent modified to be completely dark inside and fitted with a set of simple lenses on one end. Inside the room the lens projects the world outside onto the walls of the room and onto hand-held paper.
Life and Death in Waterton Lakes National Park
A digital composite print of International Boundary Survey 1874 (GM Dawson) “From the North Shore” and 2009 butterfly migration, with an academic reprint of the Anthropologica paper, ‘Life and Death in Waterton Lakes National Park’. Limited edition artist book 9×12″.
