Anarchival Materiality: The Bauhaus Building in Dessau Trudi Lynn Smith, Kate Hennessy, and Oliver Neumann Abstract In this essay we present a series of images remediating photographs related to the Bauhaus building in Dessau, and…
Drift Camera at Urbanite, AGGV September 2018. I’m looking forward to working with the Drift Camera (a continuous slow movement) at the Art Gallery of Greater Victoria on September 28 as part of Urbanite. Come…
Public Journal September 2018. The new issue of Public Journal has dropped! Kate Hennessy and I have an article in the latest issue Archive/Counter Archive, called Fugitives, Anarchival Materiality in Archives about our work at…
Chinese Photography August 2018. My work, Life and Death in Waterton Lakes National Park was featured in the August 2018 edition of the journal, Chinese Photography. In the article, Zhong Hualian writes about connections between…
A 15 minute film loop that brings together digital and analogue archives into projections and performances. Making and unmaking encounters, curved by gusting winds, the squeak of technological breakdown, and the distortion of projections on paper.
What’s Insight Magazine July 2018. Check out the write up Kate Hennessy and I put together on our research-creation work at the Royal British Columbia Museum Fugitives: Anarchival Materiality in Archives
Geist Magazine July 2018. Kate Hennessy and I were invited to create a photo-essay of our work with anarchival materiality for the spring 2018 edition of Geist Magazine. Fugitives explores the shape and smell of…
Supernatural: Art, Technology and the Forest May to September 2018. Excited to be invited to show A Continuous Slow Movement (Drift Camera) at the Art Gallery of Greater Victoria! On view: May to September 2018…
Anarchival materiality within archives is an ongoing research-creation project that documents the generative force of entropy in archives. The force of molecular transformation, violence, displacement, and other human and non-human agencies render archival materials as fugitives, both eluding and driving preservation.
Kate Hennessy and my exhibition Fugitives in the Archive at the Royal British Columbia Museum’s Pocket Gallery and Lightbox Gallery opened on Nov. 2 2018 and ran until January 1, 2019.
