Portable Camera Obscura: Seel’s Tree, Waterton Lakes National Park
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Infinite emulsion
Vegetal colour, cabbage, rose, nettle, sopped up, mopped up, dried on paper. A solar printed intuitive contact print with diverted compost and other waste.
Fugitives, Anarchival Materiality in Archives
Public Journal September 2018. The new issue of Public Journal has dropped! Kate Hennessy and I have an article in the latest issue Archive/Counter Archive, called Fugitives, Anarchival Materiality in Archives about our work at…
Fugitives
Geist Magazine July 2018. Kate Hennessy and I were invited to create a photo-essay of our work with anarchival materiality for the spring 2018 edition of Geist Magazine. Fugitives explores the shape and smell of…
Royal BC Museum
Fugitives in the Archive opens today and runs until January 2019. (Trudi Lynn Smith and Kate Hennessy) The exhibition is based on our research-creation work in the BC Archives. We interviewed archivists and conservators about…
Photodynamic gardening project
It’s happening! Over the past while I’ve been working with my friend Kemi Craig, the City of Victoria Artist-in-Residence to seed a new photodynamic garden situated within a network of community gardens, at Wark Street…
Pup tent camera obscuras
Pup tent camera obscuras. Two pup tents with knapsacks for solo trips: recovered vintage materials, darkout fabric, a set of simple lenses for close up and distant views. Tent footprint each 1.5 m x 2.1 m. Created for Imagine Our Parks, installations with selected participants in summer 2016.